Wednesday, October 6, 2010

The Pull of Laxman

Lots have already been written about the sublime 73 not out by VVS Laxman which managed to snatch victory from the jaws of defeat against a determined Australian side.

Living in Switzerland, I had to make do with commentary updates on Cricinfo, but managed to view the entire highlights … about a couple of dozen times. But, instead of repeating the much deserved eulogies that have flooded the media, blogs and posts, I will limit my article to one solitary stroke during the entire innings.

 Having matured into a cricket aficionado in the eighties, the sight of a batsman pulling a fast bowler evokes romantic images – mainly because of the pitifully limited number successful executions of the routine by Indian batsmen during my formative years of cricket watching.

Many of the top batsmen of India had either eschewed the shot totally, weighing the risks it brought into the game against the probable benefits. Brought up on domestic pitches, where the bowlers' backbreaking effort more often than not failed to bounce a new ball higher than the knee, batsmen lacked sufficient practice against high class pace to employ it with confidence and consistency.

Dilip Vengsarkar seldom played it against fast bowling during his best days, preferring to evade or defend the short balls at his body. Mohammed Azharuddin resorted to it only as an afterthought during his madcap years of the mid nineties, and for someone who wielded the bat like an artist's brush, he suddenly seemed to trade it for a sledge hammer every time he went back to cart the ball past the square leg. Both these maestros failed more often than not whenever they tried the shot on the faster, bouncier tracks overseas.

Sunil Gavaskar, famously bringing the hook back into his repertoire during his 29th century that morning twenty seven years ago at Feroze Shah Kotla, nevertheless confessed that the pull was one stroke he never mastered. Television did not beam the famed counterattack of Mohinder Amarnath in the West Indies in 1982, but back home in India, his performance against the best fast bowlers of his day was less than ordinary to put it very mildly.

Among the lesser luminaries with the bat, Kapil Dev did execute a Nataraja shot in which the bat scythed across the body, but it was effective and exciting in an agricultural way, rather than a real sight for sore cricket loving eyes. Krish Sirkkanth did have a peculiar pull shot of his own, but as his average of 30 in test cricket and 29 in ODIs testify, seldom was he too long at the wicket to play the stroke with regularity. Probably the only time his pull brought forth success was when he holed out off Imran in the Sialkot test in Pakistan, thus denying Akram the distinction of getting his wicket on every occasion during the test series. Akram, however, had both his hands in the dismissal as he took the catch at  long leg. Ravi Shastri and Navjot Sidhu were too stiff around the lower back to swivel around and pull a super fast delivery. For all their six hitting ability off slower men, their scoring became distinctly slower and painstaking whenever the balls became fast and short.

With the coming of the nineties, the phenomenon called Sachin Tendulkar walked in and stamped his mark on all departments of the game, including the pull. Even as the expert in Sunil Gavaskar harped on his lack of inches which made it difficult for him to keep a pull on the ground, we were exposed to the thrills as he played the shot again and again, against every mighty fast bowler and with disdain. Yes, many a masterpiece in the making or on the way to becoming an opus were cut short by the stroke – as his 88 in Napier,122 in Birmingham,169 in Capetown and 155 in Bloemfontein are the ones in immediate memory. But, the discerning never complained of his dying by the sword, having been witness to the delightful heaven of his living by it. Versatile as he was, while his straight drives were just about gloriously timed pushes, delectable and effortless, his pulls were violent and merciless, executed with powerful disdain for the fast and famous bowlers around the world. As Andy Caddick will remember forever, they could travel far.

Then came Dravid, a master technician, who went about playing every stroke with the approved stamp of the MCC Coaching manual. In his pull, as with every other stroke of his, he looked unhurried, composed and infallible, as the Wall which has been his alias ever since. Here was the first Indian batsman who could pull fast bowlers on pacy, green foreign wickets without allowing for the slightest risk that generally creep in even for the best masters of the stroke. This was in sharp contrast to his fellow debutant Sourav Ganguly, a peerless stroke-maker on the offside, whose pull off fast bowlers was often an act of futile self defence, eyes closed, bat held at a periscopic angle, with frequent, fatal and flimsy results. Dravid's pull had an elegant efficiency about it, which was the hallmark of his entire game. The ferocity associated with the stroke was eliminated as was the uncertainty.

Virender Sehwag, with the bludgeon of a bat, prefers to cart the short balls in the region between extra cover and thirdman. While initially he suffered some discomfort with the balls aimed at his body, he has developed a pull, which like most of his other shots, is belligerent and fierce, but the audacity and confidence while he plays it does not quite match the rest of his strokes around the wicket.

Enter VVS Laxman. Styled in the Hyderabadi gharana of wristy willow wizardry, stepping into the large shoes of Mohammad Azharuddin, he shuttled up and down the order for a few years, but soon outgrew the illustrious footwear. The world sat up to take notice of someone who had bettered the esoteric template that he was built on. While possessing every bit of the silky elegance of the wrist on the onside, he was distinctly more assured than Azhar through the covers and could play the same ball to mid wicket or extra cover based on the whims of his will and wrists. At the same time, on faster wickets, he outshone the earlier artist almost to the extent that the sun outshines the pretentious street lamps.

A significant reason for his success overseas was while Azhar negotiated the short balls with a jump and a duck or a cross batted swipe more reliant on luck and wager than timing and placement, VVS Laxman did have an impeccable pull shot which kept the fastest bowlers from pitching too short too often. Even when India was bundled out for 83 at Bridgetown while chasing 120 for a win in 1997 and Laxman was still in the floating up and down the order days, a languid short arm pull off Ambrose still sticks to the memory as he top scored with 15 while opening on that treacherous wicket.

While the pull embodies exuberant energy in the case of Sachin, elegant efficiency in the case of Dravid, in Laxman's case curiously it is an extension of the exquisite artistry in the other shots. Timing and wristwork all the way.

When Laxman essays a pull shot off the fastest bowlers, there is none of the savagery associated with a bludgeon by a Mathew Hayden or an Adam Gilchrist or the arrogant ferocity of a Ricky Ponting. The body moves into position with the customary lazy elegance and the stroke is as wristy as his flick through the mid wicket – and as effective and devoid of risk.

In the latest Mohali test against the Aussies, during the later stages of the innings when he was batting with Ishant Sharma and Pragyan Ojha, with the field allowing singles, men placed on the ropes, he kept taking twos with élan, using those malleable wrists to place the ball at will, just a wee bit on either side of the men on the ropes. With two people on the mid wicket fence to cut off his celebrated flicks off the pad, Hilfenhaus pitched short. Laxman laid back and rolled those wizard wrists over the ball, placing it with impeccable precision between the two deep fielders, the patrolmen almost running into each other as the ball mocked them, slipping through undeterred into the fence. It was a masterly demonstration of an unreal mix of artistry and efficiency in the face of utmost pressure.

People often wonder how he manages to turn out  these poetic yet potent offerings in the face of peril. The Cricinfo team compared his rescue acts to symphonies conducted with ambulance sirens in the background. However, I don’t think that is strange. The most poignant of art, we must remember,  comes from the dark pits of distress. We often see this same very, very special soul struggling for self expression when the going is smooth and there are lots of runs on the board as he walks into bat. Sometimes, he drops his paintbrush for the more austere workman's tools. It is only when the stakes are raised to tipping point and the opposition places demanding challenges for his creative batter's mind that he is motivated to sublime brilliance, a sight fit for gods.

One thing that probably works for him in his rearguard actions is that it is very difficult to set a field for him to limit his scoring or even keep them down to a single – as Ricky Ponting has so painfully found out. Those wrists can always find the gap in the most crowded of fields. And while people like Sachin Tendulkar are wont to back their big hitting ability to try and aim for the maximum when the batsmen at the other end are busy taking part in a relay race from and back to the pavilion – something that brought his demise in the heartbreaking so near yet so far affair in Chennai against Pakistan in 1999 – VVS Laxman, with all his genius, knows the limitations which keep him from clearing the fence too often. Even when six runs were needed with the last man in, there was no desperate attempt to aim for the stands. Unlimited in versatile artistry, he is fully aware of the boundaries of his calibre which has limited his overboundaries to four in all his test matches. In fact, the only occasion when Laxman looks ungainly at the wicket is when he tries cross batted cow shots.

However, genius is rare. There will hardly be another 281 in a lifetime. And Laxman may not hit another six in his career. Even then, let me recount one of these rare occasions which sticks to memory. There are strokes that a cricket lover cannot forget. For example, the straight drive of Sachin Tendulkar off Shoaib Akhtar in the 2003 World Cup face off. Or a pull by Brian Lara, with an almost vertical bat, two feet off the ground. And that moment of mesmerising magic by Laxman.

It was a short innings of 32, made from 30 balls, a miniature masterpiece if there ever was one, on the fast and furious Bloemfontein wicket against Pollock, Hayward, Ntini, Klusener and Kallis. In the 9th over, with India at 17 for one, Pollock ran in and bounced. Laxman, with a seeming eternity in his hands, swivelled, languid and lissom, and dismissed the ball off his face. It was a cross batted stroke off a short ball, experts undecided whether to call a hook or a pull. Almost a cross batted counterpart of a Tendulkar defensive push which often blazes away to the fence. The effort was minimal, the fuss non-existent, the batsman's eyes hardly followed the ball once it had been removed from his presence. The red cherry sailed all the way, over the boundary board behind square leg and into the crowd. A short ball by one of the fastest men in business almost lovingly caressed away for a six. A contradiction in terms?

Even if VVS does not hit another six in his lifetime, I will be blessed to have witnessed that one stroke. Like the pull shot of his latest match winning innings, it will be replayed in my memory for ever – as a delight to brighten the drabbest of days.

53 comments:

  1. Great article. Well written. You must be ardent cricket fan to remember all those details.

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  2. You write better than most professional (cricket) writers. Beautiful Article i should say

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  3. An extremely well-written, evocative article.

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  4. Dude,

    You feel Cricket in your bones. No praise greater, to VVS, than this piece of yours.

    kudos
    docshy

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  5. Very well written. I particularly like and agree with your assessments of the individual players pull shot playing technique. Superb use of words to conjure up the images of the players executing the shot. Keep it coming. May I suggest some article on "The Wall"? It would be a pleasure to read if you choose to do so. Thanks.

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  6. One of the best article I had ever read!!! You are too good mate.

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  7. well...stumbled to this link without any purpose...n thought that this would be yet another article on Laxman's heroics at Mohali and few remembrances of the past. But, two paragraphs into the article and I knew that I'm getting wrong. Yours is one of the best cricket writings I've encountered thus far. Especially that description of that six at Bloemfontein is a masterstroke. Keep on the good work...looking forward to more such pieces...

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  8. Superb observation, over the years, adequately penned!!

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  9. One of the best pieces ever written..This is my first comment ever on an article and I think you deserve it ten times over..

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  10. Bit long for my patience but great for my appetite...

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  11. my first comment ever on any cricket related article, buddy you should write for cricinfo, way better then some of their writers. hats of to you.

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  12. You recollected every numbers only a trained statitician can ever dream of.Well written and felt that you had filled soul rather than ink in your pen.
    Thanks

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  13. One of the most well written articles.
    Comparison of the pull playing capabilities was very nice.

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  14. Hi there, its a very lucid commentary on one of the most gifted, artistic and 'super soaker' (for handling pressure) personalities on the cricket field!

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  15. Wonderfully written. I remember another six of his. This was off Danish Kaneria at Eden Gardens. He played that characteristic down the wicket inside out over covers shot for six. Wish I could describe it the way you described his six off Pollock.

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  16. I have stopped following and watching cricket because i resent the economic arrogance that has grown up around this form of entertainment ... but then an article like yours rekindles the nostalgia about the men-in-white and afternoons spent on the periphery of the green !

    Thanks for a good read.

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  17. Venkatesha SV,
    You made the day for me!! Wonderful insight to a game called Cricket, very heartening to find some good references to a stroke called "Pull". I am sure even VVS will be satisfied with shuttling in the batting order which has resulted in some master pieces for self and to us Cricket fans. Looking forward to some more interesting articles from you.

    Good Luck

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  18. Great read. The traditional Indian coaching manual may find the "Pull Shot" as an appendix, "a shot executed by TALL batsmen against deliveries that BOUNCE waist high or above on GREEN pitches". References to those words in BOLD may not find their place in the Glossary.

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  19. nice one. i am short of words to describe your writing so my frineds please accept my compliments for a job well done.

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  20. Exceptional writing sir ......... Keep it up !!!

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  21. Wow. I live to read articles like this. Nice work!

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  22. ..." At the same time, on faster wickets, he outshone the earlier artist almost to the extent that the sun outshines the pretentious street lamps.".. That must break every Azhar admirer's heart.
    Brilliant piece of prose, though. And not without reason.

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  23. It is not easy to write a beautiful article on Laxman in the last week but you have done a seriously good job !

    The 32 came in a phase after the 281 where Laxman was conjuring up beautiful cameos. Wright remarked that it was best 30 he had ever seen.

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  24. Wonderful article showcasing mastery of VVS. Superbly composed

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  25. excellent article! thoroughly enjoyed reading it.It was better than the various articles that were posted on cricinfo. well done sir!

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  26. Its a masterpiece. You should write more often. Enjoyed every word of it like most of the ardent fans who wrote comments from their heart.

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  27. Lovely article initially I scrolled down and contemplated whether to ready such a lengthy one or not but the eyes hardly strayed.

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  28. I personally feel that Dravid used to play the hook better than any other Indian batsman during his early days. I can really relate to what you say about shots sticking to memory. In my case it was Dravid pulling South African bowlers over and over during his 148 at the Wanderers. The bowlers on that occasion were Donald, Pollock, McMillan, Klusener. I remember how he used to roll his wrist beautifully to keep every ball on ground. The South Africans bowled a few bouncers from round the wicket but to no avail. Even during that most disastrous batting collapse of 66 at a green top in Durban, Dravid played a couple of beautiful hook shots. But for some reason he later took that shot out of his game without ever getting out to it (atleast in my memory). Laxman's hook shot now of course is leaps and bounds ahead of anyone else in the Indian line up.

    PS: Sorry if the comment seems slightly off topic in shifting the focus from Laxman to Dravid. Your post made my mind reminiscing the past memories. Needlass to say, a brilliant piece.

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  29. Firstly thanks for writing such an Excellent article,The Articles was remarkable it had the same momentum as Genius Laxman's Batting from the start.And hats off to your cricketing memory,You have made us remind the skill and calibre of VVS Laxman's batting.especially his stroke play against the Fast bowlers on green top wickets.... Keep writing Articles this one is best i have read for a long time from any cricketing writer !!

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  30. Super article - very evocative. Your writing does justice to all us starved cricket fans catching match highlights on tiny low resolution screens. If you can post youtube links to some of the shots you talked about, that'd be great - if it's not asking too much ;-). Keep it up. Will look forward to more such articles.

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  31. Superbly written article.. one of d best i've read in a long time.. capturing so many fine points which we tend to overlook.. well done n hope to see many more in future.. All the best!!

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  32. Dude...my first ever comment on a article...awessome...real good...i guess u shud start writing for cricinfo to improve their quality of articles...it's getting shittier day by day..
    i dont have the quality to express like you do...but could u post such an article on RAHUL "THE WALL" DRAVID!!!!!

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  33. Sublime article..very well written ..hats off to your passion of game..One of my best reads!

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  34. ohhh man...i hope the sharmas and the rainas read this one !!! beautiful description of a shot that has been the nemesis for the young Indian generation... !!!
    You've got the charisma in your writing... awesome read !!

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  35. Ash: Dude, what an article!! I think Its because of Sachin, Dravid and Laxman's ability to play on the bouncy and pacy tracks made India No1 team in the world.Wonder what will happen when these 3 Geniuses hang their boots....Very well written.

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  36. wow, I have written abt others on my blog page, but not my all time favorite, VVS, since I think I will fall short of words! But you have done full justice to Lax with your writing :-)

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  37. You write so well. The description is amazing. Bookmarked your blog !! :) Please keep writing.

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  38. Laxman is the only batsman,I've seen,who can make even a Pull/Hook shot look elegant!

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  39. I saw an ODI against the Aussies in 2001 in Bangalore. Laxman hit a most sublime 45 or so. The shots he played were classy and with so little effort. They just sped off the turf for fours. I realised on that day that only watching Cricket 'live' allows you to appreciate the effort that goes into playing the game at the highest level. Sublime falls short of describing his class.

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  40. Just one word... Excellent!! one of the best written articles on probably the most difficult shot to play in cricket.. on arguably the best craftsmen that modern Indian cricket has produced!

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  41. cool; breezy; nostalgic; detailed; educative all of the above and more... very well done and keep it up. and may I suggest you do this frequently rather than infrequent musings?

    PS: The inside-out extra cover shot reminded me of Azhar's inside-out shot against Aus in the ODI worldcup(1991/2) while chasing a stiff target; its the match in which Sanjay Manjrekar and Azhar shared a wonderful partnership and almost got us home... both were out and More hit 2 boundaries to fine-leg and then got out too... lost by 2 runs or something

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  42. Just as how u described Laxman's innings your writing skills-viz language, style, and in depth analysis is awesome, almost poetic. Hey how come u forgot to mention Sandip patil another good hooker and puller. I need not add anything about Laxman as u have paid him the ultimate tribute with your description of his one single stroke. You writing is much much better than Boycott's and Ian chappel's observations. I request you search your soul (write more please)more often.

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  43. in the first line i should have written pull shot instead of the word innings sorry guys

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  44. Superb description of ech member of Indian Batting Gharana.

    I like the word "Hyderabadi Gharana" It seems you laugh, cry and cheer for cricket

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  45. nice article.. well composed subject.. my favorite one is dada's down the track six..and douglas mariler's back 'dig' shot that defeated india..

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  46. Mate, where have you been !!? (Or should i ask where have i been..)

    I share the same fervour for Test cricket and especially for VVS' batsmanship as you do.

    I'll tell you what I'll always recall of Laxman's batting..his first Test hundred..one of the purest (and most poignant, in a way) things I've watched in the game of cricket..given what and...this lovely piece at the end of that day :>http://origin.news.rediff.com/sports/2000/jan/05harsha.htm


    Cheers mate,
    Vinod Krishnan,Mumbai

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  47. Nice article. Thoroughly enjoyed it

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  48. In this degenerate age, you are closer to neville cardus than the tribe who is paid pots of money to generate tripe .... to be able to recollect such cricket across generations ... not just cricketers but matches, phases, incidents ... and then put them across with structure and passion .... i write as a fellow labourer who also writes to lighten his soul ... shake, man.
    Pankaj Joshi, pankaj_joshi2001@yahoo.com

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  49. Superb article sir. This is the best article i have ever read about CRICKET......Thankyou is so small word about this...........!!!!!!!!!!!!! read about CRICKET......Thankyou is so small word about this...........!!!!!!!!!!!!!

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